The Feb Fair, Then and Now

More and more people from all walks of life are drawn to the fiesta like atmosphere that pervades the campus during Feb Fair. And, possibly lost in the din and the noise is the profoundness of the occasion, or at least its beginnings during a dark era in our history - the declaration of Martial Law in 1972. Feb Fair was the medium by which students expressed dissent against the dictatorial and oppressive regime during Martial Law. What looked to authorities as a fun student activity highlighted by lectures, concerts, and camp outs were actually a protest fair, a form of public assembly that the regime had banned. And as we all know, this became part of an awareness raising that all came to a head with the overthrow of the Marcos regime more than a decade later. In the recent past, protests have also highlighted the Feb Fair. In 2009, students successfully fought for the use of the UPLB Freedom Park as the Feb Fair venue and extension of the Feb Fair curfew from 10 pm to 1am, among others.

The 2013 Feb Fair was also kicked off with a protest rally. Feb Fair organizers rallied students to join a foot parade from the Carabao Park to the UPLB Freedom Park as they carried banners on which “#YouthTrend unifying our stand for change” was printed. The end of the protest rally/foot signaled the beginning of the festivities, food, and fun.

The festive mood transforms the quiet, intimate UPLB community into a convergence hub. And where people are, business follows. Food stalls, business booths, car shows, and a few amusement park rides/activities have seemingly become the Feb Fair’s main attractions. The long strip of food stalls offering meals, snacks, street foods, and another one selling various merchandise, ready-to-wear clothes, and many other items make more money than what they probably can in a month of regular operation. Even organization sponsored booths have evolved from just a simple student hang out place into sponsored photo booths, or ones that sell merchandise such as UP shirts and varsity jackets, or offer services such as tattooing, palm reading, etc.

In a survey on UPLB’s Official facebook page (facebook.com/UPLB.fb), subscribers said that what they liked best about the recently concluded Feb Fair were reuniting with “brods” and “sisses,” the amusement park rides, food, and the bands that performed. The Feb Fair has truly evolved from when it was first held in the 1970s. Born out of protest, it has now become a tourist attraction and as some people have pointed out, even a profit-making venture. Past generations of UPLB students would probably wax nostalgic over the noble cause that gave rise to the Feb Fair and sustained its celebration all those years. But regardless of the generation, Feb Fair is and always will be a symbol of revolution, be it in the form of assembly back in the 70s or the revolution in music and culture it has helped sustain nowadays. Feb Fair is, and always will be, a part of UP. (With information taken from: 100 symbols embedded in UPLB’s cultural firmament, 2008. http://www.scribd.com/doc/12586765/uplbperspective-0809-8th-is

UPLB Gender Center celebrates International Women's Month

The UPLB Gender Center held a symposium to celebrate the International Women’s Month on March 20 at the Operations Room of A.G. Samonte Hall. Dr. Ma. Regina M. Hechanova, Executive Director of the Ateneo Center for Organization Research and Development (Ateneo CORD), was the event’s resource speaker.

Dr. Maria Helen F. Dayo, Director of the Gender Center gave the welcoming remarks while Prof. Amelia L. Bello, coordinator  of the Gender for Rural Development Office, formally introduced

Dr. Hechanova.

Dr. Hechanova spoke about the Filipinas’ journey to equality and work life balance by tracing back the Philippines’ patriarchal history and roots. Although the situation of women in the Philippines is not as bad as in other countries, she said that women still experience discrimination and inequality in compensation and opportunities compared to the opposite sex. She shared her experiences of being a modern woman, pursuing further studies on top of being a mom, a wife, and a career woman – while trying to be her own person. She also mentioned the difficulty of finding mentors as a woman.

Serving as discussants were Prof. Josefina L. Solivas of the Institute of Chemistry and Coordinator of the Office of AntiSexual Harassment and Dr. Jose V. Camacho, Dean of the UPLB Graduate School.

Dr. Hechanova is an awardee of The Outstanding Women in the Nation’s Service (TOWNS) in 2010. The award is presented by the TOWNS Foundation to outstanding Filipinas who have contributed positively to strengthening our national capability. (KE Araguas)

Harmonya Delights with Guitar, Banduria,and Violin

Harmonya: The String Ensemble of UPLB, held a concert entitled “SINILA-NGAN” or “Sining Laan sa Sinilangan” as part of UPLB’s celebration of the Southern Tagalog Arts Festival. The concert, sponsored by the Office of Initiatives for Culture and the Arts (OICA), showcased different performance segments for guitar, banduria, and violin instruments.

Harmonya rendered their string  version of 12 famous Filipino music as a tribute to the Filipino culture. Their song selections included: Pandangguhan by Antonio J. Molina, arranged by Darwin Landicho; Sa Kabukiran by Manuel P. Velez, arranged by Maricar dele Cruz; Serenata by Dominic Salestiano, arranged by Mark Gerald Perez; Payapang Daigdig by Felipe Padilla de Leon, arranged by Daniel Estrellado ; Ang Pipit by Levi Celerio, arranged by Alejandro Dabu III; Tayo’y mga Pinoy by Heber G. Bartolome, arranged by Stud Neil P. Jader; Masdan mo ang Kapaligiran by Cesar Bañares, arranged by Adrian Paul Marcelino; Anak by Freddie Aguilar, arranged by Liezel A. Dizon and Jerome Jay C. Sabado; Ngayon at Kailanman by George Canseco, arranged by Alejandro T. Dabu III; Awitin Mo at Isasayaw Ko by VST & Co., arranged by Kian Beltran; and APO Medley by Apo Hiking  Society, arranged by Elisha Beltran, Pauline Mendoza, and Daniel Estrellado. Video presentations in  between song segments highlighted past and contemporary experiences such as the effects of globalization and foreign influences in our music preferences. The artistic committees were composed of Rica Cynthia V. Maddawin as the violin section head, Pauline A. Mendoza as the guitar section head, and Maricar R. dela Cruz as the banduria section head. Adrian Paul A. Marcelino served as student musical director and Marie Angelica A. Dayao as musical director.

SINI-LA-NGAN closed with the songs Sinilangan by Marie Angelica Dayao and Kay Ganda ng Ating Musica by Ryan Cayabyab, both arranged by Marie Angelica Dayao. (KE Araguas)

CEAT celebrates 100 years, plans for its future

The College of Engineering and Agro-Industrial Technology (CEAT) recently concluded the celebration of its centennial from October 2011 to October 2012. The celebration had for its theme, “Kaagapay sa Paghubog ng Katangi-tanging Inhinyero at Pagtataguyod ng Angkop na Teknolohiya Para sa Susunod na Siglo” (Partner in Molding Excellent Engineers and Developing Appropriate Technologies for the Next Century).

CEAT kicked off the celebration by flying Chinese lanterns during the Loyalty Day and Alumni homecoming foot parade in October 2011. Following the parade, personnel, students, and the alumni planted 100 trees around the Electrical Engineering building and launched memorabilia items bearing the CEAT centennial logo. The logo was designed by Jessa Mae Loresto, a senior BS Chemical Engineering student. The College held the “CEAT Centennial Lecture Series,” where faculty members and invited guest lecturers shared about research. On March 2, 2012, the College marked the Centennial Foundation Day by recognizing its honor students, outstanding personnel, topnotchers of licensure examinations, and retirees. In the evening, it held the first-ever CEAT Centennial Concert entitled “Himig at Sayaw” at the D.L. Umali Hall, featuring performances by its faculty members and student organizations. The concert was an offshoot of the winning entry of CEAT in the 2011 UPLB Faculty Follies.

(CEAT has been first place winner in the Faculty Follies since 2008). The College also honored graduates in a testimonial ceremony in April 2012. CEAT held the culminating activities of their centennial celebration in October 2012 with a fun run, a technological exhibit, and the unveiling of a commemorative marker. CEAT One, or the Centennial Fun Run, was held at Baker Hall and was participated in by the faculty, staff, students, and guests. The technological exhibit showed old and new technologies developed by the College and featured a demonstration of new technologies. The CEAT lobby was  transformed into a mini-museum of memorabilia featuring items such as the college shirts through the years. The College’s commemorative marker, installed at the Electrical Engineering Building, was inaugurated by CEAT dean, Dr. Arnold R. Elepaño, on Oct. 10. During the culminating event, the College launched the CEAT Centennial Souvenir Program. The souvenir documents the historical milestones of CEAT and highlights over a hundred technologies that CEAT developed through the years. It contains articles by two former deans of the then Institute of Agricultural Engineering and Technology (IAE) entitled “Agricultural Engineering at UPLB from 1955 to 1977” by Dr. Dante B. De Padua and “The Story of CEAT” by Dr. Reynaldo M. Lantin.

Also featured are the histories of the following departments: Chemical Engineering by Dr. Jovita D.  Layoso-Movillon; Civil Engineering by Dr. Marish S. Madlangbayan; Electrical Engineering by Eng. Roderick L. Catriz; and Industrial Engineering by Eng. Haerold Dean Z. Layaoen. The souvenir program featured the profiles of some CEAT units, staff, and student organizations; the various departments’ mission and vision; performance ratings in PRC licensure examinations; and extension activities.

Also, the College crafted “The CEAT Roadmap” in a workshop participated in by CEAT faculty

members and representatives of various units in October 2011. The roadmap outlines the College’s plans for the next 6, 12, and 18 years. (KE Araguas)